Saturday, 27 March 2010
Friday, 26 March 2010
Somwhere called Hakone
I decided to give a running commentary of what went on behind these shots at Hakone Open Air museum to remind myself what I was doing.
Recently I have been trying to play with the light and shadows. Trying to see how I can make something so normal, look different
This shot came to me the moment I saw it. The light, lines and emptiness on the bench.
The cats just stood there for me to shoot. I actually wished I saw the background when I took this shot. I would love to have more of it.
I just wanted the outline of this statue
What can you do to a peice of art? That was the questioned I asked myself.
Common play of symmetry
One of those shots I knew what I wanted to do when I saw where the lines went
This place was filled with repeat patterns. The blur forground was added on purpose to show depth
This scene just felt never ending to me
Had to give the statue some room to look up to
It was so plain, yet felt so much to me. So I placed it at the top right hand side
The flowers stood out, and I just used it
I decided to go for an uneven angle when the picture ended at the top
I love how the lights were casted on the floor
The sun casted a shadow play which screamed B/W to me
I left a bigger space below for this peice to give it more room.
Another light lesson for me
It looked so organised yet not. So I decided to end the tip slightly off center
How can this not be a B/W picture? You just want the lines and nothing else
The bright colours was so fun to look at. Too bad there were so many people around
The bare tree with the truck leading the picture.
I loved how the sun made a glorious colour on the reflection
The reflection of the sky caught my eye
The texture of the structure made me take this shot
Why not look down and see the simplest of things?
I always have a thing for rusty stuff
I love the texture under the light
It reminded me of old school colours
I love how the yellow cast into the space.
Need I say more what I am trying to show here?
I wanted the art on the glass and the art itself together
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